Actors who study the Meisner Technique are likely familiar with the term the actors instrument. An analogy between an actor and an instrument is a good way to help define all the aspects of the acting craft and help actors take in idea, information and lines and put out high quality work. Audience members are quick to determine whether actors are portraying a new reality well enough to hold their attention. But, can we pinpoint what makes us feel that way? In fact, it is the actors instrument and how well rounded and how well developed it is.
The actors instrument as six general categories. The aspects of the instrument include sensory expression, emotional, empathy, intelligence and sensory and physical expression. Mastering the craft of acting with the Meisner Technique requires that all six aspects of the instrument are well developed. If you run down the categories mentioned, anyone even slightly interested in acting should be able to name successful actors who have mastered several of these aspects of expression. Legendary actors are those that have mastered all six.
Sylvester Stallone is a physical actor who commands attention simply because of his physical presence onscreen. While this does not mean the Stallone cannot express a character emotionally, he is general know for his physical expression, which is the most powerful of his acting tools. Although he is practiced at developing an emotional side of his characters, those expressions are often communicated through physical means. Actors must focus and learn about all the aspects of the acting instrument, which will help them be diverse and capable of many types of roles.
Emotional expression is one of the first things most up and coming actors focus on. Thinking deeply about how a character feels about something and trying to emulate it is a very common thing for up and coming actors to try and master. While it can be short sighted to put too much weight on any one aspect of the actors instrument, emotional expression is certainly a key acting tool to master. All six of the aspects of the instrument should be studied diligently until they are mastered.
Of course, it is meaningful emotional expression that draws people into any character or story. Emotional expression is they way that the internal aspects of a character's conflicts, needs, and feelings are expressed. Those that study Meisner acting in nyc use an imagined emotional history of a character which they must then express using all the aspects of the instrument. Students of Meisner acting must study the range of human emotions in all their complexity. They in fact, build a library of emotions and reactions and methods for communicating them. Specific characters can be created by delving very deep into the imagination and using the "library" of human behavior they have created. This created life, its emotions and patterns of behavior, are then drawn upon moment by moment, not in rehearsed ways, but spontaneously.
Vulnerability, for example is an expression of the emotion of insecurity. Actors might work hard to develop this emotion and the complex ways it can be expressed. But, if they have strongly developed other aspects of their instrument, such as physical expression and empathy, they will be able to present an authentic, vulnerable character. A single tear, without words can accomplish this, but how about a sense of vulnerability shown while one is smashing a clock to pieces? There is no predictable, safe way to do this.
Acting is not pretending to have an emotion. However, acting is not simply reciting words using certain inflections and gestures to communicate emotions. Sanford Meisner was often heard to say, "acting is DOING." You must be in the moment and allow emotional reactions and behaviors to appear, and you must follow them. This may feel risky at first. The best actors do not pretend to feel something, or coach themselves to do anything while in character. What they feel is genuine, and the results can range from crying and screaming to sitting perfectly still to express an emotion. Developing a deep capacity to understand and feel the full range of human emotions and experiences is a great way to become an open, flexible acting student, the best kind of student. Actors must give themselves permission to feel strong emotions, and express them (or not, if the role requires it) in physical, intelligent, empathetic ways.
The actors instrument as six general categories. The aspects of the instrument include sensory expression, emotional, empathy, intelligence and sensory and physical expression. Mastering the craft of acting with the Meisner Technique requires that all six aspects of the instrument are well developed. If you run down the categories mentioned, anyone even slightly interested in acting should be able to name successful actors who have mastered several of these aspects of expression. Legendary actors are those that have mastered all six.
Sylvester Stallone is a physical actor who commands attention simply because of his physical presence onscreen. While this does not mean the Stallone cannot express a character emotionally, he is general know for his physical expression, which is the most powerful of his acting tools. Although he is practiced at developing an emotional side of his characters, those expressions are often communicated through physical means. Actors must focus and learn about all the aspects of the acting instrument, which will help them be diverse and capable of many types of roles.
Emotional expression is one of the first things most up and coming actors focus on. Thinking deeply about how a character feels about something and trying to emulate it is a very common thing for up and coming actors to try and master. While it can be short sighted to put too much weight on any one aspect of the actors instrument, emotional expression is certainly a key acting tool to master. All six of the aspects of the instrument should be studied diligently until they are mastered.
Of course, it is meaningful emotional expression that draws people into any character or story. Emotional expression is they way that the internal aspects of a character's conflicts, needs, and feelings are expressed. Those that study Meisner acting in nyc use an imagined emotional history of a character which they must then express using all the aspects of the instrument. Students of Meisner acting must study the range of human emotions in all their complexity. They in fact, build a library of emotions and reactions and methods for communicating them. Specific characters can be created by delving very deep into the imagination and using the "library" of human behavior they have created. This created life, its emotions and patterns of behavior, are then drawn upon moment by moment, not in rehearsed ways, but spontaneously.
Vulnerability, for example is an expression of the emotion of insecurity. Actors might work hard to develop this emotion and the complex ways it can be expressed. But, if they have strongly developed other aspects of their instrument, such as physical expression and empathy, they will be able to present an authentic, vulnerable character. A single tear, without words can accomplish this, but how about a sense of vulnerability shown while one is smashing a clock to pieces? There is no predictable, safe way to do this.
Acting is not pretending to have an emotion. However, acting is not simply reciting words using certain inflections and gestures to communicate emotions. Sanford Meisner was often heard to say, "acting is DOING." You must be in the moment and allow emotional reactions and behaviors to appear, and you must follow them. This may feel risky at first. The best actors do not pretend to feel something, or coach themselves to do anything while in character. What they feel is genuine, and the results can range from crying and screaming to sitting perfectly still to express an emotion. Developing a deep capacity to understand and feel the full range of human emotions and experiences is a great way to become an open, flexible acting student, the best kind of student. Actors must give themselves permission to feel strong emotions, and express them (or not, if the role requires it) in physical, intelligent, empathetic ways.
About the Author:
The Maggie Flanigan Studio provides acting classes in NYC for serious actors. Find out more about meisner acting nyc at the studio website or read this article about emotional memory.
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