Auditioning is an important skill, not just an extension of acting, it's a separate skill that can be developed in many acting classes in NYC. Working actors know that gaining experience is critical, and that won't happen if you tend not to audition well. Developing auditioning skills may be up to you as some acting classes NYC don't cover this thoroughly. Being prepared, with a deep set of auditioning skills is necessary if you expect to exploit every opportunity to audition that comes your way. Acting classes in NYC that specialize in Meisner acting, offer one of the most respected acting disciplines in the business. There is a known connection between the Meisner acting technique and professional, inspiring auditioning techniques.

There are one or two ways that are common reasons actors "fail" to turn in arresting auditions. One way to be discounted is to appear overconfident. At the same time you cannot allow yourself to be overly nervous or insecure, unless the role calls for it. Directors and producers are used to seeing overly confident or insecure actors and this is not what will count against you. Being nervous or confident projects a sense of "self awareness" which can kill a great acting performance.

Being "closed off" or self aware is a very bad acting habit, and one that threatens to get in the way of a great audition as well. Too nervous, and it's too distracting to you and the auditors and you run the risk of not being open to the performance and the emerging character. The many layers of human traits, communicated in a thousand smalls ways is what must shine through, how you feel personally can't inhibit this.

Many preparing for auditions consider the slate unimportant. Remember this will be the first impression you make. What may seem to have little importance, in fact may be the very thing that keeps you from being seen. The harsh reality is this. There is no guarantee ever that a producer or director will watch a tape past the slate. For any given part there are likely hundreds of folks auditioning. They are on the lookout for the best of the best and a so-so slate will indicate that your tape is not worth their while. They need any excuse to move through the auditions as quickly as possible.

This may seem tough, but no one said auditioning was easy. Learning to slate well is one way to get an advantage over some of the actors you go up against. Some acting classes teach tips for auditioning some don't. Acting classes in NYC may be able to help you practice your slate. Acting classes in NYC in some institutions, may ask for a slate and audition tape for entry into their program. Like any other skill, practicing slates makes perfect. Enlist a friend to help record your efforts on tape and you will instantly see how well you are doing. Practicing slates isn't easy. Communicating to a "presence" or person rather than the camera is important. This is something you can record, playback and assess. Feedback from people you trust is also important, the slate should communicate who you are.

The information you include need not be lengthy, they really just want your name and possibly your agent. The shorter the better so they move on to the critical thing, the audition. When auditioning for commercials a hint of character might be okay. You will have to assume what they are looking for in a character and you may not be right. Mainly, the aim is to give a slate that represents you as a person and as an actor. Once the slate is done, move quickly into character and give them the portrayal they could never have anticipated, the character they didn't even know they wanted. Creating character, building spontaneity into a performance and other essential auditioning skills can be learned by studying Meisner acting NYC.