Any actor interested in studying the Meisner technique should explore what's known as the actors instrument. An analogy between an actor and an instrument is a good way to help define all the aspects of the acting craft and help actors take in idea, information and lines and put out high quality work. Audience members are quick to determine whether actors are portraying a new reality well enough to hold their attention. It may also just be a sense of something not coming across in the right way. In fact, it is the actors instrument and how well rounded and developed it is.

The actors instrument is comprised of six different elements, all important. The aspects of the instrument include sensory expression, emotional, empathy, intelligence and sensory and physical expression. Mastering the craft of acting with the Meisner Technique requires that all six aspects of the instrument are well developed. It is easy even for non actors to identify professional actors who have mastered the different aspects of their "instrument." Rarely, there are actors that come along and become the best of the best by being gifted at them all.

Take, for example, Sylvester Stallone who is know for his commanding physical presence and physical expression. While this does not mean the Stallone cannot express a character emotionally, he is general know for his physical expression, which is the most powerful of his acting tools. Although he is practiced at developing an emotional side of his characters, those expressions are often communicated through physical means. Actors must focus and learn about all the aspects of the acting instrument, which will help them be diverse and capable of many types of roles.

Actors often focus mainly on emotional expression, thinking it to be the most important. How a character feels about something and delivering lines powered by that feeling is a very common practice for newer actors. One of the most important, but certainly not the only tool to master is the emotional expression aspect of the actors instrument. All six of the aspects of the instrument should be studied diligently until they are mastered.

Emotional expression gives meaning to the story. It is through this kind of expression that the audience is drawn in to the story. Those that study Meisner acting in nyc use an imagined emotional history of a character which they must then express using all the aspects of the instrument. In Meisner acting students study emotions diligently, their own and those of others. They do this by creating a "library" of human emotion and a resource of reactions and ways of communicating based on studies of real people. When called upon to create a specific character, they dig very deep and create and imagine (another part of the instrument) what that character's emotional story is. This created life, its emotions and patterns of behavior, are then drawn upon moment by moment, not in rehearsed ways, but spontaneously.

Just as an example, vulnerability can express many characteristics, from innocence to deep insecurity. It's one thing for an actor to understand that and work with it. But, unless they have developed other aspects of their instrument, such as empathy or intelligence, the character will not be authentic. After all, vulnerability can be expressed through tears, or smashing something to pieces or just walking through a park. This is a subjective, creative process.

The myth is that acting is simply pretending to have an emotion. However, acting is not simply reciting words using certain inflections and gestures to communicate emotions. Acting is doing, as master teacher Sanford Meisner always said. In other words acting is being in the moment and allowing any number of emotional reactions well up and take you over and turn you into the actual character. This may feel risky at first. Great actors do not force themselves to cry. There are genuine emotions in their performances, often unpredictable ones that appear as they work as character. Developing a deep capacity to understand and feel the full range of human emotions and experiences is a great way to become an open, flexible acting student, the best kind of student. As an actor you must give yourself permission to feel fully and live truthfully, whether you are in character or not.