To understand why white void Hollywood studios are so appealing to recent movie makers, let us first see how it's used by them in their productions. The white void Hollywood cyc wall is simply a featureless expanse of white. The studios simply erect an expansive wall that is absolutely featureless. The room is then painted in a pure white color. Once this is done, it gives the illusion that the subjects ( actors ) are seen as standing in an empty white space.

The room is so featureless that it might be very unlikely to inform from any footage or footage taken with the cyc in the background that there are any walls in any way. You can't see the walls, the floors, the ceiling, or any other proof of space and dimension. The actors seem to be hanging in nothingness. A great white void Hollywood studio blends all the walls, the floor and the ceiling into one continual space in such a manner the dimensions of space are lost when filmed or photographed.

This is why the white void Hollywood studio room is known as a white cyc, as it is a void. It lacks any notion of dimension and placement when shot in a film. Why would a director like to shoot a scene in a white void Hollywood studio? What is the intention of loosing the dimensions of setting? The white cyc studio comes in hardy when the director wants to achieve the film effects debated in the following paragraphs. There are times when the director will would like to express a transition from one realm to another such as when going from a dream to fact. The dream is digitally instituted of the white screen, and when that dream is over, the stage can then shift back from the white wall. This is one of the best methods of expressing dreams rather than shooting in a monochrome mode.

Likewise, a director may want to propel the plot with a flashback scene. That implies he has to craft a technique of removing the spectator from their space-time to a past event as imagined by the actor. The simplest way to shift the viewer is by removing the ordinary misce-en-scene and carrying the viewer through the white cyc where the flashback is acted out ( past ) and back again to the ordinary misce-en-scene ( present ). It works superbly and no viewer will be confused about the plot's backwards and forwards movement.

Another great example we can highlight in the use of white void Hollywood studios is the so-called 'imprisonment settings' in film making circles. Imprisonment settings are the settings in which a director may want to shoot an interrogation, or a subject in any kind of imprisoned environment ( prison, psychological establishment, etc ). This is simply achieved with the white cyc studios since the white void has no exits, no windows and no definition of dimensions so liberty is seen as absent.