Initially when I first started studying with the fantastic concert pianist, Mark Wescott, he talked about almost all kind of things that I had never noticed before. During my coaching as well as in his master classes he was discussing things that no guitar instructor had ever told me. He had a completely diverse method of approaching music, plus it was unbelievably effective at making emotional connection with audience. As he played, you could not help but pay attention. It really was that great. This is why I took him on as a coach. I wanted to understand what it was he was discussing. (Just to be clear, he plays piano, I play guitar. Primarily we focus on phrasing and interpretation issues.)
A classic idea
One of the primary tenants of his approach to music, and today mine also, is definitely the concept of the long line. This isn't a brand new idea. Musicians for hundreds of years have been talking about this, and also striving for it. So do not think this is my (or his) idea in any fashion, shape or form. I wish it was, but it is not.
The gist of what it is:
The long line is actually a goal for our own playing. The long line is a particular level of engagement and also continuity throughout an entire piece of music. It could exist in a small piece of music, and a large piece of music. Even as huge as Wagner's Ring Cycle. The effect of making a long line is the fact that listeners are engaged from the very first note until the very last note. There's an energetic force that activates the music forward and keeps the music energized plus alive. There's exactly the same concept in writing, in films, in storytelling of all types.
Sign me up!
Clearly, we would all like to play in a way as to have listeners' rapt attention for each and every nanosecond that were playing. It's a primary reason that people play, to share music and also the experience of a particular piece of music.
The effects of just playing notes:
Nevertheless, it is regrettably an undeniable fact that this quality of playing is fairly uncommon today. I cannot name all that numerous players who consistently embody this quality, on any musical instrument, nevertheless particularly guitar. And also the result of this really is that listeners, musicians and also non-musician as well, are likely to form opinions and also assumptions about music and the guitar generally according to their substandard experiences.
I have spoken with several music enthusiasts who sheepishly admitted to me that they never really loved guitar music. And the reason was that they had not had virtually any positive experiences.
Just like in almost any other art form, exposure creates awareness, awareness creates appreciation, and also appreciation produces demand. There's comparatively hardly any interest in classical guitar music these days. So perhaps there is a correlation here.
Forward and Up: searching much deeper
So one definitive step to creating more substantial musical experiences for listeners, is actually embracing and striving for the long line. It's not always the simplest road to take, but it's considered one of the most rewarding, personally and for your own audience. Many of the basic assumptions and also performance habits we have mastered from our teachers, plus they from theirs, basically serve to stop the long line, and also challenge the musical continuity that we're pursuing.
The Long Line:
-Takes focus
-Takes patience and interest
-Is possible for players in any way levels
-Builds technique and also deepens musical understanding
-Is well worth the effort
A classic idea
One of the primary tenants of his approach to music, and today mine also, is definitely the concept of the long line. This isn't a brand new idea. Musicians for hundreds of years have been talking about this, and also striving for it. So do not think this is my (or his) idea in any fashion, shape or form. I wish it was, but it is not.
The gist of what it is:
The long line is actually a goal for our own playing. The long line is a particular level of engagement and also continuity throughout an entire piece of music. It could exist in a small piece of music, and a large piece of music. Even as huge as Wagner's Ring Cycle. The effect of making a long line is the fact that listeners are engaged from the very first note until the very last note. There's an energetic force that activates the music forward and keeps the music energized plus alive. There's exactly the same concept in writing, in films, in storytelling of all types.
Sign me up!
Clearly, we would all like to play in a way as to have listeners' rapt attention for each and every nanosecond that were playing. It's a primary reason that people play, to share music and also the experience of a particular piece of music.
The effects of just playing notes:
Nevertheless, it is regrettably an undeniable fact that this quality of playing is fairly uncommon today. I cannot name all that numerous players who consistently embody this quality, on any musical instrument, nevertheless particularly guitar. And also the result of this really is that listeners, musicians and also non-musician as well, are likely to form opinions and also assumptions about music and the guitar generally according to their substandard experiences.
I have spoken with several music enthusiasts who sheepishly admitted to me that they never really loved guitar music. And the reason was that they had not had virtually any positive experiences.
Just like in almost any other art form, exposure creates awareness, awareness creates appreciation, and also appreciation produces demand. There's comparatively hardly any interest in classical guitar music these days. So perhaps there is a correlation here.
Forward and Up: searching much deeper
So one definitive step to creating more substantial musical experiences for listeners, is actually embracing and striving for the long line. It's not always the simplest road to take, but it's considered one of the most rewarding, personally and for your own audience. Many of the basic assumptions and also performance habits we have mastered from our teachers, plus they from theirs, basically serve to stop the long line, and also challenge the musical continuity that we're pursuing.
The Long Line:
-Takes focus
-Takes patience and interest
-Is possible for players in any way levels
-Builds technique and also deepens musical understanding
-Is well worth the effort
About the Author:
To get more on the online classical guitar lessons, visit http://www.classicalguitarshed.com.
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