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Carol Odell opted for painting as her way of expression when she was small and decided to go to art school. Ever since completing a BFA from the Boston Museum School / Tufts University in 1967, she has made art and design a part of her life. After exploring a couple of media after some time, she has opted for oil paint as her favored medium for its performing traits as well as richness of color. Gouache as well as monotype works on paper augment her larger oil works on canvas, wood panels and folding screens. Taking care of the Odell studio / gallery has given her with the satisfying experience of direct contact as well as relationships with many enthusiasts of her work. Her work is also currently represented by the Rice / Polak Gallery in Provincetown, MA and in several juried group shows in the New England area. She exhibits often with the Monotype Guild of New England of which she had been president for 3 years.
David Smith-Harrison was born in Salt Lake City, Utah in which he has spent the greater part of his existence. In 1977 he was awarded a Utah State Sterling Scholarship, prior to going on to be schooled at the South Glamorgan Institute, Cardiff, Wales in 1983 as well as the University of Utah, Salt Lake City in 1984.
His highly original printmaking, that combines traces of Renaissance form architecture with vividly rendered natural things, relies on his fascination for drawing. "Drawing is of central importance to me," he states, "it is a tool for developing my powers of observation and memory."
The delicate technique of printmaking carries a much higher element of surprise. Smith-Harrison enjoys this slightly volatile delivery of his ideas. He states "I am attracted to the infinite possibilities of impressing ink onto paper and I find the unique textural characteristics of prints to be stimulating, seductive, and full of subtlety and nuance." It is a time-consuming method inherited from the wonderful engravers of the Renaissance, a period that particularly fascinates Smith-Harrison. He emphasizes that his fascination with earlier artistic traditions will be as essential to him as his relationship with present life.
Smith-Harrison's high artistic standing has guaranteed tremendous exhibition of his work. He has displayed several solo and group exhibitions across California. His work was likewise exhibited at the Evergreen Graphic Art Association, Taipei Cultural Centre, Taiwan in 1993.
In addition, Smith-Harrison has took part in numerous juried exhibitions. Among these include the Ashland University Printmaking Invitational Exhibition, Ohio, where he displayed work in 1999; National Printmaking, College of New Jersey, Trenton in 1997, Tokyo International Mini-Print Triennal 95, Japan; 65th National Print Exhibition, Society of American Graphic Artists, Federal Plaza, New York in 1993 and US-UK Print Connection, Barbican Centre in London in 1989.
WilIiam Stolpin was born and raised in Flint. He attended Garfield elementary, Emerson Junior High as well as old Northern High School, where he is presently a Distinguished Alumni with his picture on the wall at the brand new High School. He graduated from Northern in 1960, and decided to go directly to GMI. He managed to graduate with BME in 1965. While he was in Junior High, he was creating linoleum block Holiday greeting cards. One greeting card in particular had 7 blocks and about 15 colors. He became aware, at that time, that he had a talent for printmaking, and have been making images since then.
David Smith-Harrison was born in Salt Lake City, Utah in which he has spent the greater part of his existence. In 1977 he was awarded a Utah State Sterling Scholarship, prior to going on to be schooled at the South Glamorgan Institute, Cardiff, Wales in 1983 as well as the University of Utah, Salt Lake City in 1984.
His highly original printmaking, that combines traces of Renaissance form architecture with vividly rendered natural things, relies on his fascination for drawing. "Drawing is of central importance to me," he states, "it is a tool for developing my powers of observation and memory."
The delicate technique of printmaking carries a much higher element of surprise. Smith-Harrison enjoys this slightly volatile delivery of his ideas. He states "I am attracted to the infinite possibilities of impressing ink onto paper and I find the unique textural characteristics of prints to be stimulating, seductive, and full of subtlety and nuance." It is a time-consuming method inherited from the wonderful engravers of the Renaissance, a period that particularly fascinates Smith-Harrison. He emphasizes that his fascination with earlier artistic traditions will be as essential to him as his relationship with present life.
Smith-Harrison's high artistic standing has guaranteed tremendous exhibition of his work. He has displayed several solo and group exhibitions across California. His work was likewise exhibited at the Evergreen Graphic Art Association, Taipei Cultural Centre, Taiwan in 1993.
In addition, Smith-Harrison has took part in numerous juried exhibitions. Among these include the Ashland University Printmaking Invitational Exhibition, Ohio, where he displayed work in 1999; National Printmaking, College of New Jersey, Trenton in 1997, Tokyo International Mini-Print Triennal 95, Japan; 65th National Print Exhibition, Society of American Graphic Artists, Federal Plaza, New York in 1993 and US-UK Print Connection, Barbican Centre in London in 1989.
WilIiam Stolpin was born and raised in Flint. He attended Garfield elementary, Emerson Junior High as well as old Northern High School, where he is presently a Distinguished Alumni with his picture on the wall at the brand new High School. He graduated from Northern in 1960, and decided to go directly to GMI. He managed to graduate with BME in 1965. While he was in Junior High, he was creating linoleum block Holiday greeting cards. One greeting card in particular had 7 blocks and about 15 colors. He became aware, at that time, that he had a talent for printmaking, and have been making images since then.
About the Author:
Printmaking is certainly a broad medium in art and could be studied nearly anywhere, in art classes or from printmaking artists. Once you learn basic principles, you will find there are many ways to create a really good print.
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