Alfie Hitchcock is always remembered as the premier master of suspense, the undefeated master of the plot twist. Yes, he was all that, but he was also much more. He pioneered just about ever genre of modern film. He created the slasher film with Psycho, and in North by Northwest, he essentially created the first all-action blockbuster.
Everybody knows about the airplane chase with the crop duster chasing Cary Grant through the crops. It's a great scene, sure, but only one of several awesome set pieces in the film. The shootout on the face of Mt. Rushmore is an equally jaw dropping piece of film making, but one of the real crowning moments is the drunken chase. Cary Grant is fed glass after glass of booze and then put in a car with no brakes, so he has to flee the badguys while drunk in a car with a cut brake line!
Modern action films rarely show this much imagination. There are a few exceptions, the Crank films, some of the work of the Hong Kong masters of action, but after seeing Cary Grant in a drunken car chase, it's hard to get excited at a muscle car running through a fruit stand for the millionth time, or the hero running amok with a machine gun in either hand.
Context. The main thing this film has is context. Where most action movies will take a hero and some baddies, give them all guns, and call it a day, Hitchcock's hero is not only in a car chase, he's in a car chase drunk, with no brakes. When he gets into the crops to escape the plane, it covers the crops with pesticide.
Hitch was the master of suspense, but he was also the master of putting his heroes in over their heads, and that's how the action in this film works so well. It's never enough for one problem to exist, but Cary Grant could never solve a problem without creating another one. This just plain made for better action.
It's really too bad that the legacy Hitchcock left behind would be so frequently copied, turned into formula, rather than innovated upon and re-imagined. Still, we'll always have classics like Psycho and Vertigo to go back to when we get bored of the same old kiss kiss, bang bang that we get from so many dull genre efforts these days.
This film, in addition to some great action, also has one of the all time great love scenes. When the hero and heroine embrace, we cut to a train going through a tunnel. The directness of this scene had Hitch saying "What's the big deal? I already did that!" when the X rated movies got big in the seventies.
If you haven't already, you need to see it. If you have, you need to see it again. It's one of the all time great action films, and one of Hitchcock's very best, and of course, that's not something you say lightly. Without this film, you really wouldn't have the action genre that Arnold Schwarzenegger and Stallone would go on to dominate. In Hong Kong, they've always had the action tradition of Kung Fu films, rooted in Peking Opera, but for the US, the modern action film was born of the western, and Hitchcock.
Everybody knows about the airplane chase with the crop duster chasing Cary Grant through the crops. It's a great scene, sure, but only one of several awesome set pieces in the film. The shootout on the face of Mt. Rushmore is an equally jaw dropping piece of film making, but one of the real crowning moments is the drunken chase. Cary Grant is fed glass after glass of booze and then put in a car with no brakes, so he has to flee the badguys while drunk in a car with a cut brake line!
Modern action films rarely show this much imagination. There are a few exceptions, the Crank films, some of the work of the Hong Kong masters of action, but after seeing Cary Grant in a drunken car chase, it's hard to get excited at a muscle car running through a fruit stand for the millionth time, or the hero running amok with a machine gun in either hand.
Context. The main thing this film has is context. Where most action movies will take a hero and some baddies, give them all guns, and call it a day, Hitchcock's hero is not only in a car chase, he's in a car chase drunk, with no brakes. When he gets into the crops to escape the plane, it covers the crops with pesticide.
Hitch was the master of suspense, but he was also the master of putting his heroes in over their heads, and that's how the action in this film works so well. It's never enough for one problem to exist, but Cary Grant could never solve a problem without creating another one. This just plain made for better action.
It's really too bad that the legacy Hitchcock left behind would be so frequently copied, turned into formula, rather than innovated upon and re-imagined. Still, we'll always have classics like Psycho and Vertigo to go back to when we get bored of the same old kiss kiss, bang bang that we get from so many dull genre efforts these days.
This film, in addition to some great action, also has one of the all time great love scenes. When the hero and heroine embrace, we cut to a train going through a tunnel. The directness of this scene had Hitch saying "What's the big deal? I already did that!" when the X rated movies got big in the seventies.
If you haven't already, you need to see it. If you have, you need to see it again. It's one of the all time great action films, and one of Hitchcock's very best, and of course, that's not something you say lightly. Without this film, you really wouldn't have the action genre that Arnold Schwarzenegger and Stallone would go on to dominate. In Hong Kong, they've always had the action tradition of Kung Fu films, rooted in Peking Opera, but for the US, the modern action film was born of the western, and Hitchcock.
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