The term textile printing is used more often to describe the process of adding color to material in a certain design or pattern. When this process is done correctly, color is bonded to the fiber in a way that it will not wear off with friction or washing. Clothing makers and designers are just some of the professionals who do custom fabric printing in their line of work.
The practice is much like dying. However, a primary differences between the techniques is that dying involves changing the color of the fabric as a whole. With print jobs, one or many colors are applied in a particular pattern or design chosen by the creator.
An assortment of tools and materials are using during this process. The most common of tools that are needed: engraved plates, stencils, rollers, wood blocks and silkscreens. Colorants that are used feature dyes that are thickened in order to prevent the color from spreading out beyond the limits of the pattern or design. Traditional methods for the practice are categorized as: discharge, direct, resist dying and use of mordant.
Direct printing refers to use of colorants that contain thickeners, dyes and mordants, or substances required for fixing color to cloth are printed in the pattern desired. A mordant may be printed in the desired design before cloth is dyed. In this process, color only adheres where mordant was originally printed.
Resist dying is another method. This is done when wax or another substance is printed on the fabric, which is dyed at a later date. The places that have been waxed will not take on the dye, leaving the uncolored patterns on colored ground. With the discharge technique, bleaching solution is printed on material that was once dyed in an effort to remove some, or all, color. Both resist and discharge methods were extremely common during the nineteenth century, but in the modern world the direct method is more popular.
Hand block; digital textile; stencil; roller, machine or cylinder; screen; perrotine; and engraved copperplate are examples of print techniques. Many custom prints are completed through one of these means but a combination of application techniques may be used as well. The method used is often relative to the artist and results that are desired.
Preparation must go into the colors and fabric before manipulating the fabric. Cloth might need to be brushed so that loose naps, dust and flocks is removed. Sometimes the surface needs to be smoothed and cleaned through the process of shearing. A material may need be straightened or stretched by special equipment. The preparation will be based on the type of print method and material used. Color development often requires some technical experience and working knowledge of different chemicals.
Textile making, or custom fabric printing, is a common practice for those who make clothes, crafts and other goods with fabric. This can be carried out in many different ways and may require certain knowledge and skill in order for correct application. This is different than dying because it involves adding color in specific designs and patterns and not just one solid color over the entire piece of material.
The practice is much like dying. However, a primary differences between the techniques is that dying involves changing the color of the fabric as a whole. With print jobs, one or many colors are applied in a particular pattern or design chosen by the creator.
An assortment of tools and materials are using during this process. The most common of tools that are needed: engraved plates, stencils, rollers, wood blocks and silkscreens. Colorants that are used feature dyes that are thickened in order to prevent the color from spreading out beyond the limits of the pattern or design. Traditional methods for the practice are categorized as: discharge, direct, resist dying and use of mordant.
Direct printing refers to use of colorants that contain thickeners, dyes and mordants, or substances required for fixing color to cloth are printed in the pattern desired. A mordant may be printed in the desired design before cloth is dyed. In this process, color only adheres where mordant was originally printed.
Resist dying is another method. This is done when wax or another substance is printed on the fabric, which is dyed at a later date. The places that have been waxed will not take on the dye, leaving the uncolored patterns on colored ground. With the discharge technique, bleaching solution is printed on material that was once dyed in an effort to remove some, or all, color. Both resist and discharge methods were extremely common during the nineteenth century, but in the modern world the direct method is more popular.
Hand block; digital textile; stencil; roller, machine or cylinder; screen; perrotine; and engraved copperplate are examples of print techniques. Many custom prints are completed through one of these means but a combination of application techniques may be used as well. The method used is often relative to the artist and results that are desired.
Preparation must go into the colors and fabric before manipulating the fabric. Cloth might need to be brushed so that loose naps, dust and flocks is removed. Sometimes the surface needs to be smoothed and cleaned through the process of shearing. A material may need be straightened or stretched by special equipment. The preparation will be based on the type of print method and material used. Color development often requires some technical experience and working knowledge of different chemicals.
Textile making, or custom fabric printing, is a common practice for those who make clothes, crafts and other goods with fabric. This can be carried out in many different ways and may require certain knowledge and skill in order for correct application. This is different than dying because it involves adding color in specific designs and patterns and not just one solid color over the entire piece of material.
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