The bowed psaltery is a triangular instrument that is played with a bow. The bow is drawn across strings that are attached to a hitch pin on one side and a tuning pin on the other. The shape of the wooden soundboard is triangular and the strings run down both sides. The bow is drawn over each string individually. The right side is like the white keys on a piano and the left side contains sharps and flats like the black keys of a piano. The sound is something like that of a violin, but it is much easier to play.
Psalteries have been around since medieval times and the earliest ones were simply wooden boards with strings. At first these strings were made of gut and later of metal. The wooden board also evolved into a hollow box with a sound hole. These instruments were usually plucked and it was only centuries later that bows were commonly used.
Those who make these traditional instruments today continuously seek out new and innovative ways to build and design them. These craftsmen need a combination of musical knowledge and good woodworking skills for this unique craft. This is necessary in order for them to produce instruments that not only produce the best sounds but are comfortable to play.
One factor that affect the sound of the instrument is the type of wood used. This is particularly true of wood used to make the soundboard. It has to allow for excellent sound transmission to the rest of the instrument and this is why lighter woods like spruce or cedar are used. The back and sides may be made of woods like black walnut, oak and mahogany.
The tension of the strings and placing of the hitch pins is also very important. Each string begins with a hitch pin, runs over the bridge and goes round a tuning pin at the base. The hitch pins must be spaced at exactly the right distance from the bridge to give each string the correct vibrating length and yet not be stretched too much. Poor spacing can affect the sounds produced and cause strings to break frequently.
Each instrument is constructed with a sound hole and it is the size of this hole that determines the volume produced. The larger the hole, the louder the sound but it must not be too large as this makes sounds softer again. A sound hole is usually decorated with a motif like a butterfly, sheaf of wheat, hummingbird, dove or a Celtic knot.
Comfort and durability are other considerations when buying an instrument. The frame has to be a certain thickness to make sure the pins are secure. It must be as lightweight and responsive as possible without sacrificing solidity of construction. An instrument that is too heavy may cause strain and fatigue when playing.
A bowed psaltery is not that difficult to learn how to play and manufacturers often include booklets for beginners. Many manufacturers now have online websites where pictures of their instruments are displayed and one can even hear what they sound like. Cost will depend on what exactly is being offered. A package deal will often include accessories such as a bow, rosin, tuning wrench, spare wire and a carrying case.
Psalteries have been around since medieval times and the earliest ones were simply wooden boards with strings. At first these strings were made of gut and later of metal. The wooden board also evolved into a hollow box with a sound hole. These instruments were usually plucked and it was only centuries later that bows were commonly used.
Those who make these traditional instruments today continuously seek out new and innovative ways to build and design them. These craftsmen need a combination of musical knowledge and good woodworking skills for this unique craft. This is necessary in order for them to produce instruments that not only produce the best sounds but are comfortable to play.
One factor that affect the sound of the instrument is the type of wood used. This is particularly true of wood used to make the soundboard. It has to allow for excellent sound transmission to the rest of the instrument and this is why lighter woods like spruce or cedar are used. The back and sides may be made of woods like black walnut, oak and mahogany.
The tension of the strings and placing of the hitch pins is also very important. Each string begins with a hitch pin, runs over the bridge and goes round a tuning pin at the base. The hitch pins must be spaced at exactly the right distance from the bridge to give each string the correct vibrating length and yet not be stretched too much. Poor spacing can affect the sounds produced and cause strings to break frequently.
Each instrument is constructed with a sound hole and it is the size of this hole that determines the volume produced. The larger the hole, the louder the sound but it must not be too large as this makes sounds softer again. A sound hole is usually decorated with a motif like a butterfly, sheaf of wheat, hummingbird, dove or a Celtic knot.
Comfort and durability are other considerations when buying an instrument. The frame has to be a certain thickness to make sure the pins are secure. It must be as lightweight and responsive as possible without sacrificing solidity of construction. An instrument that is too heavy may cause strain and fatigue when playing.
A bowed psaltery is not that difficult to learn how to play and manufacturers often include booklets for beginners. Many manufacturers now have online websites where pictures of their instruments are displayed and one can even hear what they sound like. Cost will depend on what exactly is being offered. A package deal will often include accessories such as a bow, rosin, tuning wrench, spare wire and a carrying case.
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