Born in 1885 in Paris, Robert Delaunay was a pioneer of modern art and the very first French artist to paint wholly abstract art. He was raised by his uncle and took up painting at a young age. He had no specialized education and was expelled from various schools in both Paris and Bourges. By the age of 17, he devoted himself to painting seriously and convinced his loved ones that his life's calling was to become a painter.
With his model of painting, he was somewhat overshadowed by his contemporaries, including Picasso, Matisse and Braque, but Delaunay was among the first artists to introduce vivid and vibrant color in to the type of painting known as Cubism in the style known as Orphism. He also worked in the styles of Abstract and Expressionism. Some of his most celebrated art is vivid, bright and colorful, much like the style of Kandinsky. Many people have claimed that Delaunay was the originator of "Simultaneism" which is an infusion of Cubism and Futurism.
In examining the main style of Cubism which Delaunay represented in a good many of his paintings, Cubism is considered to be the most ground breaking and radical painting style in the Twentieth Century. In a simplified form of the style, it is in essence a complete denial of what we understand to be a traditional conception of beauty.
The popularity in the Orphisms' was grounded in Cubism which moved more towards the complete lyrical abstraction which regarded painting as the bringing together of an experience or sensation of vibrant colors. The style was more concerned with the expression and concept of sensation and abstract structures. It was a move away from a wholly recognizable subject or objects and communicated its meaning through form and color alone.
Similarly, Delaunay used the type of Expressionism in his style of painting and its typical characteristic is to present the world from a very subjective perspective with its distortions to evoke emotions and ideas. The Expressionist artists expressed meaning not through the depictions of subjects or physical reality, but rather through an emotional reaction.
During the period from 1908-10, he contributed to the Cubist artistic movement by producing stunning colorful works rather than the fashionable browns and greys of Picasso and Braque. His imagery was also different and he chose dynamic urban imagery as opposed to static still-life forms that was the typical subject matter at the time. Undoubtedly one of his most celebrated works, the "Eiffel Tower" combined the Cubist form with vivid colors. The fact is, The Eiffel Tower was one of Delaunay's favorite subjects and is one of the more recognized symbols of the new age.
After 1912, he portrayed his work through more rectangular and circular abstract patterns where he completed the Fenetres series and the Disks. A few of these paintings might be regarded as abstract, nevertheless they include an insistent strain of cosmic symbolism. Brilliant light and color are enhanced by "simultaneous contrast", an effect of juxtaposition where color is the primary element. His work was shown at a solo exhibition in the renowned Sturm Gallery in Berlin the following year, to great enthusiasm from painters like Franz Marc, Auguste Macke, and Wassily Kandinsky, as well as from Paul Klee, Fernand Leger, and Marc Chagall.
While his life was quite complex and unnatural, his paintings were packed with energy and he fully explored the usage of light and color. His determination and dedication to art seem, sometimes, more admirable than his art itself, for he inundated himself in the life of art and almost developed it into a discipline to generate precise, well-calculated paintings.
Nevertheless, these paintings are beautiful, inciteful, and considered essential to any major collection of modern art. Robert Delaunay is likely never to be looked at as a master since, on your own, he never sent art in a totally new direction. Yet his distinctive and unique style without doubt pushed art forward. Delaunay along with his wife, Sonia Terk Delaunay, worked on a large, impressive abstract mural together for the Paris Exposition in 1937. He died a few years later in 1941.
With his model of painting, he was somewhat overshadowed by his contemporaries, including Picasso, Matisse and Braque, but Delaunay was among the first artists to introduce vivid and vibrant color in to the type of painting known as Cubism in the style known as Orphism. He also worked in the styles of Abstract and Expressionism. Some of his most celebrated art is vivid, bright and colorful, much like the style of Kandinsky. Many people have claimed that Delaunay was the originator of "Simultaneism" which is an infusion of Cubism and Futurism.
In examining the main style of Cubism which Delaunay represented in a good many of his paintings, Cubism is considered to be the most ground breaking and radical painting style in the Twentieth Century. In a simplified form of the style, it is in essence a complete denial of what we understand to be a traditional conception of beauty.
The popularity in the Orphisms' was grounded in Cubism which moved more towards the complete lyrical abstraction which regarded painting as the bringing together of an experience or sensation of vibrant colors. The style was more concerned with the expression and concept of sensation and abstract structures. It was a move away from a wholly recognizable subject or objects and communicated its meaning through form and color alone.
Similarly, Delaunay used the type of Expressionism in his style of painting and its typical characteristic is to present the world from a very subjective perspective with its distortions to evoke emotions and ideas. The Expressionist artists expressed meaning not through the depictions of subjects or physical reality, but rather through an emotional reaction.
During the period from 1908-10, he contributed to the Cubist artistic movement by producing stunning colorful works rather than the fashionable browns and greys of Picasso and Braque. His imagery was also different and he chose dynamic urban imagery as opposed to static still-life forms that was the typical subject matter at the time. Undoubtedly one of his most celebrated works, the "Eiffel Tower" combined the Cubist form with vivid colors. The fact is, The Eiffel Tower was one of Delaunay's favorite subjects and is one of the more recognized symbols of the new age.
After 1912, he portrayed his work through more rectangular and circular abstract patterns where he completed the Fenetres series and the Disks. A few of these paintings might be regarded as abstract, nevertheless they include an insistent strain of cosmic symbolism. Brilliant light and color are enhanced by "simultaneous contrast", an effect of juxtaposition where color is the primary element. His work was shown at a solo exhibition in the renowned Sturm Gallery in Berlin the following year, to great enthusiasm from painters like Franz Marc, Auguste Macke, and Wassily Kandinsky, as well as from Paul Klee, Fernand Leger, and Marc Chagall.
While his life was quite complex and unnatural, his paintings were packed with energy and he fully explored the usage of light and color. His determination and dedication to art seem, sometimes, more admirable than his art itself, for he inundated himself in the life of art and almost developed it into a discipline to generate precise, well-calculated paintings.
Nevertheless, these paintings are beautiful, inciteful, and considered essential to any major collection of modern art. Robert Delaunay is likely never to be looked at as a master since, on your own, he never sent art in a totally new direction. Yet his distinctive and unique style without doubt pushed art forward. Delaunay along with his wife, Sonia Terk Delaunay, worked on a large, impressive abstract mural together for the Paris Exposition in 1937. He died a few years later in 1941.
About the Author:
Written by William M. Martin for Masterpiece Art. We have shirts, cups, stationary and much more featuring art from Renaissance to modern. Visit our site to see Robert Delaunay's work and a selection of our products.. This article, Robert Delaunay French Modern Art Pioneer is available for free reprint.
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